I was thrilled to find that one of my paintings was posted Monday on the excellent Women Painting Women blog. This blog went viral shortly after its inception...it's such a brilliant idea! In fact the blog even inspired a recent gallery exhibition, a very well-received much written-about exhibition, at the Robert Lange Studios Gallery in Charelston, SC.
Hazel & Katie, 28" x 44", oil on canvas
So it was a wonderful surprise to find myself having a moment in this blog's limelight! Thank you so much Diane F. and the rest of the WPW gang. I'm truly honored!
Wednesday, December 22, 2010
Friday, December 3, 2010
Small Works 2010
Tangerine Rose, oil on linen on board, 7 x 5 inches, 2010
Wed - Sun 12-5 PM or by appointment
I am in a small works show that opens today at Artists' House Gallery in Old City Philadelphia. I have several small pieces in this show that includes many of Philadelphia's finest representational artists like Renee Foulks, Daniel Miller, Carolyn Pyfrom and Peter van Dyck. Both of Artists' House receptions are always wonderful, but I prefer the Sunday one (live classical guitar, coffee and cake) so that's the one I will be attending: if you are planning to come then be sure and let me know!
Small Works 2010
December 3 to December 24, 2010
December 3 to December 24, 2010
Receptions:
First Friday December 3, 5 - 8:30pm
and
Sunday, December 5, 1 - 4pm
and
Sunday, December 5, 1 - 4pm
Artists' House
57 North Second Street
Philadelphia, PA 19106 (215) 923-8440
Labels:
exhibitions,
group shows,
Philadelphia art world
Sunday, November 28, 2010
"Stealth" Plein Air for Camphill Exhibit
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| Guy Alma, Nancy Bea Miller, Ursel Pietzner, Carol Levin |
Kim Pelkey, Carol Levin and I staged a successful small scale Plein Air for Camphill exhibit at Camphill Special School's Christmas Cafe today. Here is a shot of Guy Alma, me, Ursel Pietzner (the school's founder) and Carol. Photo taken by Kim.
Labels:
exhibitions,
plein air,
Plein Air for Camphill
Saturday, November 27, 2010
Main Line Today magazine
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| Amber Dreaming, oil on canvas, 28 x 20, 2009 |
Main Line Today magazine ran an article in their October issue on the Philadelphia Sketch Club, an organization I had the honor of joining recently. The online version, which includes several of my images, can be seen here.
Friday, November 12, 2010
Philly Photo Day exhibition

Nancy Bea Miller, Sarah Barr, Lisa Mintzer at the
Philly Photo Day Exhibition
November 11 - 21, 2010
Philadelphia Photo Art Center
Grey Area, Crane Arts Building
1400 N. American Street
Philadelphia, PA 19122
215.232.5678
267.324.3268 (fax)
info@philaphotoarts.org
I do a lot of photography in addition to painting. I don't consider myself a professional, even though I have had several photographs bought for book-covers, magazines and websites, and I am occasionally commissioned to take product shots, art shots and head shots. But I still think of it more as a hobby. I don't really know what I am doing, technically. Photography simply satisfies my unflagging impulse for observation and appreciation of this world and self-expression, and in a quick-n-easy way too! I can't be painting 24/7 but I do have a camera to hand at all moments. You never know when something will reach out and grab your heart. When that happens I reach out and grab my camera. As Baudelaire put it:
To glorify the cult of images (my great, my only, my earliest passion)
This is the first time I've exhibited my photography in a gallery setting. On October 28, Philly Photo Day, photographers took their best shot within the Philadelphia city limits and sent it in to the Philadelphia Photo Art Center. The work was catalogued, compiled and printed out on huge banners and hung.

"Leaf Blow on Clearfield Street" (click image to enlarge.) On Philly Photo Day I happened to be driving through the East Falls section of the city when a sudden gust of wind whipped the leaves into a hail of gold. I checked behind me, saw there was nobody coming up and quickly shot the scene. Talk about driving while distracted (just kidding, I of course, stopped the car while shooting.) Steering wheels make good tripods! Rotopods? :-) Prints can be ordered through the PPAC: $10 for a 5 x 7, $20 for an 8.5 x 11. If you're interested in purchasing a copy of "Leaf Blow" contact the PPAC and tell them you want image number 168.
Philly Photo Day Exhibition
November 11 - 21
Philadelphia Photo Art Center
Grey Area, Crane Arts Building
1400 N. American Street
Philadelphia, PA 19122
215.232.5678
267.324.3268 (fax)
info@philaphotoarts.org
It is truly an amazingly interesting show, giving a wildly varied portrait of a single day. It should interest Philadelphia historians and sociologists as well as artists and anyone who just loves Philadelphia!
Labels:
exhibitions,
Philadelphia art world,
photography
Saturday, September 25, 2010
Dear Fleisher Featured Artist

(Clare Day, Giovanni Casadei and me at the Dear Fleisher Preview party last night, Friday, September 24, 2010)
I was honored by being named one of the current Dear Fleisher's featured artists. The list of Featured Artists whose work was raffled off:
Bo Bartlett
Jill Bonovitz
Frances Galante
Nancy Bea Miller (me!)
Silent Auction Artists:
David Brewster
Giovanni Casadei
Tim Hawkesworth
Jane Irish
Kurt Solmssen
Stephen Talasnik
Tomorrow, Sunday, September 26th the Dear Fleisher Exhibition and Sale will be held from 1:00 to 5:00 PM . I donated one 4 x 6 painting to that, as well. I personally feel a debt of gratitude to Fleisher for reasons I won't go into right now, and they are a wonderful part of the Philadelphia community, offering free or low-cost art classes to all comers. So I was very happy to have this chance to show my thanks.
The preview was a fun party! Susan Dineen created gorgeous blue and orange signature drinks she calls Picassos (wish Id thought to take a picture!) and a merry time was had by all.
Labels:
exhibitions,
friends,
honors,
Philadelphia art world,
previews
Saturday, July 31, 2010
Art Book Review

I recently had the pleasure of reviewing The Landscapes, by Richard Schmid. A large book, comprised of over 300 reproductions interspersed with Mr.Schmid's commentary and trenchant observations. This is not a How-To book, but rather a retrospective of a lifetime of landscape painting work. Mr. Schmid has two more books in this series planned, one of still life and one of figures and portraits.
My review is entitled A Life in Landscape and is in the current issue of Fine Art Connoisseur, July August 2010.

Labels:
art book review,
art writing,
fine art connoisseur,
writing
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